Demolition Gore Galore were the brainchild of one Walter (aka Walta) Adams, the original bass player for Faster Pussycat. In addition to Adams, DGG consisted of (at one time or another) Mick Cripps of LA Guns, the one and only Kery Doll, Bobby Bones and Kayle. It's clear from the first listen that Adams and his Faster Pussycat bandmates had a love for Johnny Thunders in common, but that's where the similar influences end. DGG, even with their ridiculous over-the-top name, were closer to the Velvet Underground and Nikki Sudden than G&R and Aerosmith. Anyways, they didn't leave us much to remember them by...just a couple privately pressed records including 1986's "Bulimia Babe" EP and 1987's far more scarce 1-sided "Endorphin Pain" 7" limited to just 100 copies. And luckily for you I have both. And now you can too.
Long Blonde Bomb
Girls Just Care About Gore
It starts the way hundreds of hard rock records started in the 80's...take three power chords, Animal-esque (from Dr. Teeth & the Electric Mayhem of course) drum fills, followed by a falsetto scream, and we're off "Road Runnin" with Axtion. By the way, do you think there was a band argument over whether to use an "X" or a proper "C" in the name? And which one of the guys really wanted to use triple X's, call the band aXXXtion, and pull some porn stars? Cuz you know one of 'em wanted to. My bet is either the drummer or bass player. But I digress. If anyone was wondering what the majority of indie or private hard rock releases coming out of the hair mecca that was Los Angeles in 1985 were like, look no further than Axtion's "Look Out for the Night". Besides the aforementioned intro, we 're gonna need a song with our band name in it..."Spread the Axtion"....check! We're gonna need something to try to get the more metal crowd, something fast and metal sounding...."Fury of the Tempest"...check! What about a song with extended acoustic intro so I can show these people that I'm not just "widdly-widdly solo" guy but that I really listen to Andres Segovia records?..."Look Out for the Night"....check! And finally, we gotta leave these kids with a positive message so they too know its okay for a grown man to use hairspray and wear makeup..."Stand Up! (for What You Believe In)"...check and mate! No matter how much I make fun of it, I won't deny that its an enjoyable listen from a particular moment in rock time. Thanks to Vince at The Music's Over for letting me borrow the wax to digitize so all of you could enjoy it.
Hell Razer, I'll never forgive you for starting my teenage obsession with finding demos and live tapes from glam bands who had yet to get a record deal or release a proper record. Where once this tape thrilled a teenage me, who'd ordered it from the back pages of either Kerrang or Metal Forces magazine, it now serves as evidence as to why not every band gets a record deal or release a record. Because they're terrible. The UK had their fair share of great glam, Pet Hate and Wrathchild, even Tiger Tailz come to mind. But Hell Razer, I'm afraid you belong at the other end of the stackheeled spectrum. I know "Shout Hey!" sounds like a great glam anthem, but it's really just poor grammar. But what about "Space Girl (Intergalactic Love)"? That's gotta be filled with glammy goodness, right? Not a chance in the hands of these hacks. But for some reason, its still fun as hell to listen to and puts a smile on the face, even if its a sardonic one.
At least back in the mid-80's they did, when this five song picture disc was released. "No One Tells Me No" and "Wrong End of the Rainbow" still hold up after all these years. "We Live to Rock" not so much. "Can't Stand Your Love" and "Guess I Don't Mind" were filler back then and time hasn't done anything to change that fact. Still an important document of the time and place that was the Sunset Strip back in the 80's. Best part of the whole thing...their drummer's name was Dane Rage. I wonder if he went into gay porn after the band broke up, he already had the name for it.
We Live to Rock
No One Tells Me No
Wrong End of the Rainbow
Can't Stand Your Love
Guess I Don't Mind
Its not the best quality, but believe it or not its from a first gen demo tape I've had since the 80's. Maybe that's why they never got a record deal, because their demos sounded like shit and no one could hear how good the songs actually were. The original Damn Yankees featured Sten on vocals, who later left to form the Love Razors. This demo comes from the second lineup, with the bass player (Michael? Anyone?) moving over to lead vocals. Unfortunately there's next to no information on Damn Yankees on the web (except the Nuge's version), and time and medication has blurred my memory too much to remember the other member's names. I think Josh was the drummer. Maybe Jason Nesmith on guitar or bass. How about a little help out there? I know there were other people at those shows at Madame Wong's and the Troubadour, I saw you there. So here it is, without further useless information, the 4 song Damn Yankees demo tape.
Bigger Than Life
Racing with the Moon
Premonition were a local Santa Clarita Valley band of the late 70's/early 80's who self-released one single on their own label in 1980 featuring the songs "Glitter Girl" and "So What". Honestly, this thing is so obscure that the only reason I even have it is that the guitar player, Paul Hirschmann, was my guitar teacher from the ages of 10 to 12. I still remember the day he came over for my lesson and excitedly gave me two copies of this single, hot off the presses, and told me they pressed 100 of them. The A-side, their most famous song from their local gigs, was a classic-rock-cum-glam-rocker called "Glitter Girl" while the B-side was Hirschmann's moment to shine on the instrumental jazz-rock-psych riff-a-thon called "So What". This is the true sound of Los Angeles' north valley area circa 1980.
As far as I'm concerned, SIN don't get nearly the respect they deserve. Among all the terrible Hollywood bands who couldn't play, SIN were our version of Angel. I hear you screaming "What about White Sister?", to which I reply...they were Giuffria, not Angel. Big Difference. Anyways, SIN released one single in 1983, this beautiful shaped picture disc which should be worth a ton considering the 80's rock crap which passes for "rare" on Ebay these days. But sadly no one cares. Even though SIN had Rik Fox of Steeler fame and looked cool as hell, no one cared then either. It doesn't matter, as one day this record will have its due. After SIN burned out I'm pretty sure they morphed into the horribly-named Jag Wire. And guess what? No one cared.
Years before LIT tripped the light fantastic and became their own worst enemy, they were just a gang of long-haired southern california teens known as Razzle looking for a piece of the action. In 1993 they found it when they self-released a five song CD called "New Vibe Revolution" which I've no doubt got them laid a ton back then. All four members of LIT are present and accounted for here, from brothers A.J. and Jeremy "Allen" to rhythm section Kevin Baldes and "Big" Al Shellen. Then there is fifth member Chadd Anthony, who obviously quit before they became LIT. You think Chadd regrets that decision now? Maybe not now, but in the late 90's when "My Own Worst Enemy" played on MTV like it was on a loop? Yeah, I'm sure he put a gun in his mouth a few times, I just hope he didn't pull the trigger. Anyways, what we have here is a prime example of Hollywood's Sunset Strip scene, even though it came late in the day and grunge had already started to hammer the nails into hair metal's coffin. But "New Vibe Revolution" proves that as late as 1993, the party was still happening in Hollywood.
I Ain't Your Pal
All American Boy
Close My Eyes
Okay, so there really is no "Hobbit Rock" here so to speak, but what the fuck did they expect me to put for a title? They're the band from LA that called their band Shire, which makes no sense. And they're the ones who had Don Dokken produce it. Seriously though, I had this record back in 1984 and remember liking it, but I don't think I full appreciated it at the time. Not that its some kind of lost hair metal masterpiece or anything like that. Far from it. But it is a nice little EP with some catchy tracks including "Do You Know What Its Like?", which probably would've been a hit had Dokken himself recorded it. Plus they look like Girl meets The Babys, which I'll never have a problem with.
Do You Know What Its Like?
By My Side No More
Thinking of You
What can be said about Rozzi Lane that hasn't been said a hundred times over? Oh, that's right, nothing's been said about them since 1988 when they released the "Big Bang Babiez" single on their own cleverly-named Big Bang Records. I kid them, but only because I've always loved this record, which at the time was more "pop" than "metal", unlike many of their Sunset Strip contemporaries. And I can only imagine the shit they must've gotten looking like they did in their actual hometown of Upland, California. What else? Let's see. Guitarist Mikey Marquee later went on to play in a great LA band called Extra Fancy, featuring one Brian Grillo on vocals. Before Extra Fancy Grillo fronted Lock Up, who also featured a pre-RATM Tom Morello on guitar. Okay, now I'm just boring myself. Here's the single, "Betty Angel"/"Beauty's Only Skin Deep":
The last days of Candy, with Gilby on lead vocals and Ryan Roxie on lead guitar, captured live at Madame Wong's West in Los Angeles on April 5th, 1987. You know the rest of the story, that's why you're here in the first place. Enjoy my teenage years as much as I did.
Intro ("I Want Candy" by Bow Wow Wow, played over the PA, and only kept in to preserve the experience of seeing Candy live)
You Can't Always Get What You Want/Dance America
Everyday is Saturday Night
Red, White & Blue
Turn It Up Loud
You Only Go Around Once
Sound of a Broken Heart (cuts out at very end, my tape ran out and I had to turn it over, which is why...)
Thunder (beginning is cut, see above)
Cat Scratch Fever/Whatever Happened to Fun
Fox on the Run
If you were fortunate enough to grow up in or around Los Angeles in the 80's, you probably remember the LA Street Scene. Once a year, downtown LA would transform into a giant street fair, with about 30 stages set up and bands playing all day long and into the night. I was lucky enough to go to the last few years of it, until the final year when my friend and I got caught in the "Great White" Riot (but that's another story) that essentially put an end to what was a great tradition. I remember watching Jane's addiction and Gene Loves Jezebel play under the afternoon sun, making Jane's seem much less dangerous and Gene much less mysterious. I remember being sixteen and sitting on the grass watching Mary Poppinz try to be Motley Crue, with Kery Doll and his band sitting next to me doing hilarious commentary throughout the set. But mostly I remember the first time I went to Street Scene and saw Candy for the first time "Whatever Happened to Fun" had recently come out, the late afternoon crowd was relatively hostile, and it had just been announced that special guests Run DMC would perform after Candy. Now this was 1985 mind you, and the mainstream Street Scene crowd were far more familiar with the Kings of Rock then they were with Kids in the City. Cue the hostility. Luckily for you, I was a little bootlegging asshole back then and took my tiny tape recorder to many of the shows I went to. But it really wasn't about bootlegging at all, it was because most of the local bands didn't have records out and wouldn't sell their demos to you, so the only way I could listen to the songs whenever I wanted was to tape the shows. So here's the scene...a sixteen year old kid who loves glam rock and power-pop is standing in the middle of a street in downtown LA, afternoon is fading to dusk as Candy step on stage about 30 feet from me. I hit "record" and over two decades later you get to experience something you never thought you'd get to hear....Candy live in LA, literally right in the middle of the 80's. This is for the ten of us out there who loved the band. As for the quality, its far from perfect, and if you have a problem with it....well, fuck you. You're just damn lucky this document exists in the first place and that I took my own valuable time to give it to you.
Candy Live @ Los Angeles Street Scene - 09/29/1985
Kids in the City
Turn It Up Loud
Whatever Happened to Fun
Somewhere between Candy and Electric Angels & Kill for Thrills lie the great lost Candy months. After Kyle Vincent, but before the split, Candy gave it one more go with Gilby Clarke moving to lead vocals and Ryan Roxie coming in on guitar. But the next record deal never came and all we were left with were some rough home demos of what would've been the second Candy record.
As with the Candy record, the Gilby demos featured classic Jonathan Daniel lyrics wrapped around some of the catchiest melodies put to tape. And there are even a few Gilby originals in there as well, which show how good a songwriter he is in his own right. The real jewel here for Candy fans is the early version of "True Love & Other Fairy Tales", which ended up on the Electric Angels record as a wonderful, string-laden ballad, but here it gets the power-pop treatment. Also, hidden in the lyrics of one of the songs is the future band name for some of the guys...can you find it? Leave me a comment if you did! Now, for possibly the first time on the internet, taken from an original first generation demo tape, here are one set of Candy demos for the second record....
True Love & Other Fairy Tales
Johnny Was an Angel
Red, White & Blue
My Favorite Star
You Only Go Around Once
Everyday is Saturday Night
Good, not great, debut LP from Pet Hate. To their credit, these dudes really did know their way around a melody and always found the chorus, so its confusing to me why they never made a dent in the states. The timing was right, their tunes where catchy, and their hair was tall enough, so if anyone has a theory as to why they remain so overshadowed when talking about this brand of 80's rock, please leave a comment and let me know.
The Bride Wore Red
Moya's Comin' Out
How Can (I Carry On)
Love Me Madly
Caught (Red Handed)
The Party's Over
Roll Away the Stone
Real Good Time
Here's a record I never seem to find online, although I'm not sure anyone cares other than me, the band, and maybe three other people. Still to this day one of my favorite glam/power-pop records to come out of the UK in the 80's, I'm talking about Pet Hate's "Bad Publicity". Formed from the ashes of Silverwing, Pet Hate's first record "The Bride Wore Red" was followed up by this rarely talked about gem. Not only did they borrow the title of the record from white-clad US rockers Angel, they went one step further and hired the same guy who produced Angel's "Bad Publicity" record. And if you're an Angel fan, you know their record company made them change the original cover of the band strewn about with liquor and chicks....so Pet Hate took that too and made it their cover. I could go on and on about nothing here, but all you need to know is this record is a classic (cover of the Stones' "Street Fighting Man" can be forgiven). But the one track that still gets me to this day is "Girls Grow Up Too Fast", which sounds like it would fit perfectly on Candy's "Whatever Happened to Fun...?" LP. But you really don't care what I think, do you? If you're reading this at all its because you've been searching forever and you just want this damn record. So here it is...
I'm Not the One
Girls Grow Up Too Fast
Cry of the Wild
Street Fighting Man
She's Got the Action
One Step Ahead
For Sex Sake
Wreck the Radio
Dancing On My Heart
Before Kery Doll, there was Rise. And Kery played drums for 'em before moving to vocals. At least I think that's what happened. They were before my time and I never got to see 'em live, but thankfully at least one person held on to their indie single and gave it to me many years ago. And now I'm sharing it with you. But if you're actually reading this and plan on downloading the single, you're even more damaged than I am, and in your quest to find the most obscure glam rock records, may you not fly too close to the sun like Icarus. But I digress. Mainly because I have no real info on Rise and I'm just stalling. Fine, here's their Mystic Records 7"....yes, the same Mystic Records that released the early Mentors records.
"Future Love" b/w "Rock and Roll Heart"
Let me tell you about the first time I saw Guns & Roses...it was 1985 and the only reason I was lucky enough to catch them so early on was because they were opening for one of my favorite bands on the scene, the one and only Kery Doll. Coming on like Alice Cooper from Cudahy Street in Maywood, CA., Kery Doll were the first local band who showed me that you didn't have to be playing a 20,000 seat arena to act like you were. Shows routinely opened with Kery rising from a coffin and shooting a sawed-off shotgun over the crowd, while dangerous homemade pyro clipped the roofs of clubs like Raging Waters, already death traps in their own right without the pyro. After numerous line-up changes, Kery shortened the band's name to DOLL and the image went from black lace goth/glam to florescent pink latex and leather glam, and DOLL were the prototype for Pretty Boy Floyd who came years later. And when I say "prototype", I really mean PROTOTYPE. Not only was PBF's image nicked from DOLL, but early DOLL shows even included the songs "Leather Boyz with Electric Toyz" and "Wild Angels", both which would end up on PBF's debut on MCA. To be fair, guitarist Ariel Stiles of DOLL would go on to be in an early incarnation of Pretty Boy Floyd, but it was Kery Doll himself who created the blueprint as far as I'm concerned. Kery Doll only released one 5-song picture disc, "Til Death Do Us Part", and DOLL officially released nothing but some demos, but their stamp on the early 80's LA glam scene is unmistakeable. After DOLL Kery did time in the LA "supergroup" Demolition Gore Galore and his one-man pre-NIN industrial project Trust Jesus. And before Kery Doll there was the even more obscure glam/prog of Rise (which you'll be seeing and hearing on this page soon). But for now, its time to treat yourself to what those of us lucky enough to be in Hollywood in 1985 got to experience. It isn't a great record by any means, but when you're sixteen and looking up to the local glam stars, believe me, its a great record.
Too Good for Heaven
After the Fire
Til Death Do Us Part
A Child Shall Lead
...used to stand for "The Sleazy Rock Manager", but these days you can just go with the Sleaze Rock Man I reckon. As a companion to my blog "The Hair Up There", where I post rare records and demos of the most obscure 80's hair metal I have, I present "Walk the Strip", featuring scans of original band flyers from Hollywood's 80's hairday...I mean heyday. Growing up in LA, my friends and I used to walk the Sunset Strip every weekend, the hallowed sidewalks between the Whiskey and the Roxy (but not as far as Gazarri's, that's where the Warrant fans hung out). You couldn't walk two feet without a band member shoving a flyer in your hand, and luckily for you, one of my friends saved some great ones. In addition I'll be adding scans of band ads from local rags such as BAM magazine and L.A. Rocker fanzine. Click on the flyers for high-res versions to print out. Enjoy your walk down the Sunset Strip...
As for "The Hair Up There", I only post records that I believe to be so obscure they're not commercially available. If you are the legal copyright holder and wish to have the content removed, please contact me and I'll remove it immediately if that's your wish.